Mirrorless – National Camera Exchange

Canon EOS R5 C 45MP 8K60 RAW Recording Mirrorless Cinema Camera Body 5077C002

Tue, 13 May 2025 10:00:45 +0000

Common Features & Technology as the EOS R5

Canon’s 45MP full-frame CMOS imaging sensor is at the heart of the EOS R5 C camera’s superb image quality, which also leads the way for impressive 8K60 RAW cinematic video shooting.

Focus and speed are paramount in the EOS R5 C camera, providing impressive still-image continuous capture at speeds of up to 20 fps
Dual Pixel CMOS AF II capability, to track split second movements of even the most elusive subjects
With 1053 Automatic AF zones, it is easy to photograph people with the use of Eye, Face, and Head Detection AF, or intuitively track the whole body, face, or eyes of cats, dogs, or birds with Animal Detection AF
For those with the need for speed, Canon has also included still-image vehicle subject detection to assist with accurate tracking of cars and motorcycles
Connectivity like 5 and 2.4GHz Wi-Fi and Bluetooth is also included for the transfer of still images

Video Control for the Dedicated Video Professional

As soon as the EOS R5 C’s main switch is moved to the “video” position, the familiar Cinema EOS menu system and interface take over. Expected high-level video features such as waveform monitors, video codec options, and extensive audio control become available, greatly expanding the EOS R5 C’s video potential for the experienced camera operator or video content creator. During “photo” operation, menus are nearly the same as they are on the EOS R5 camera.

Ergonomic EOS Design

The EOS R5 C camera’s body design is incredibly compact and lightweight. When paired with a Canon RF lens (or EF lens using the Mount Adapter EF-EOS R), it offers outstanding performance that fits easily and comfortably in your hand, making handheld shooting a breeze whether shooting video or still images. Its electronic viewfinder is optically extended, for eye-level viewing similar to the conventional EOS R5 camera, and it uses the same ergonomic grip design.

CMOS Sensor and DIGIC X Processor

The 8K CMOS sensor and DIGIC X processor produce high-quality video at up to 8K60 resolution. Use of the Cinema RAW Light format with its high-efficiency mode enables internal card recording without an external recorder. The EOS R5 C camera supports HDR recording in Hybrid Log Gamma (HLG) and Perceptual Quantization (PQ) format, which helps ensure full color rendition and wide latitude with a great range from black to pure white, outstanding for the delivery of livestreams, broadcasts, and post-production projects.

8K60 RAW Recording

Cinema RAW Light in 8K is amazing for post-production grading and archiving, or MP4, which is optimized for faster online use. 5.9K in Super 35mm mode and 2.9K in Super 16mm mode are also available for internal recording to CFexpress cards. Cinema RAW Light video files have been optimized for better efficiency to achieve 12-bit recording in all frame rates. Thanks to three newly developed Cinema RAW Light modes (High-quality RAW HQ, standard-quality RAW ST, and Light recording RAW LT), users can select the RAW video mode according to their shooting needs. Lighter, smaller proxy video files can also be recorded while shooting 8K.

The EOS R5 C camera supports RAW output via HDMI and ProRes RAW recording with compatible external recorders such as Atomos devices. By connecting the EOS R5 C camera with a supported external recorder, users can shoot in Apple ProRes RAW at up to 8K30. Proxy data can also be simultaneously recorded to an SD card in-camera, providing efficient post-production operations.

Note:

Only Atomos NINJA V+ is supported as of January 2022. A separate HDMI cable is required to connect to the NINJA V+.

Different File Formats and Simultaneous Recording

Along with Cinema RAW Light, which provides light data sizes for RAW recording, the EOS R5 C camera supports MXF-based XF-AVC as well as the highly versatile MP4. The EOS R5 C camera is also capable of recording two independent video files simultaneously, such as Cinema RAW Light and MP4 at various resolutions including 4K and HD, as well as lightweight proxy files for various professional workflows. XF-AVC offers robust 10-bit 4:2:2 files in a .MXF wrapper for simple compatibility with non-linear editing systems (NLEs) and existing workflows.

Internal Cooling Fan Enables Nonstop 8K60 Recording

The EOS R5 C camera features a cooling fan built into the body, forcing out the heat from inside, enabling continuous and virtually limitless shooting of high-definition 8K60 video without interruption.

Expanded Interface for Professional Needs

The EOS R5 C camera provides a timecode input/output terminal for easy synchronization when shooting with multiple cameras and other interfaces. A cable protector is also included as standard to prevent cable disconnection or damage to the terminal if strong force is applied when connecting interface or HDMI cables.

Multi-Function Shoe for Audio Recording

Canon’s multi-function shoe with digital audio interface supports the optional TASCAM CA-XLR2d-C professional audio XLR microphone adapter for up to 4-channel audio. This optional accessory adds two full-sized XLR terminals with phantom power and shotgun mic mount, enabling digital 4-channel and 24-bit audio recording to meet professional video production needs.

Multiple Power Options

The addition of Cinema RAW Light recording at higher resolutions and frame rates demands additional power for full lens functionality. In full-frame 8K60, Super 35 5.9K60, and Super 16 2.9K120 with Cinema RAW Light recording, standard LP-E6NH, LP-E6, or LP-E6N battery packs will not be able to power the electronics of RF lenses or EF lenses attached via an adapter. You can use purely mechanical lenses without issue at these settings.To gain full electronic lens functionality with all Cinema RAW Light resolutions and frame rates, you can use utilize the CA-946 power adapter with the new DR-E6C DC coupler for mains or pro D-Tap battery power sources, or you can use a power bank such as the Anker PowerCode 26800mAh PD or omnicharge Omni Mobile 25600mAh.

13 Full-Featured Assignable Buttons

The EOS R5 C camera is designed with operational flexibility in mind, conforming to each individual professional workflow, including 13 marked, assignable buttons that allow for user-friendly customized operation.

4K and 2K Oversampling

The EOS R5 C camera reads out signals for all effective pixels from its full-frame 8K sensor, enabling 4:2:2 10-bit high-definition recording through oversampling during 4K and 2K video recording. A high-definition debayer algorithm has been included and the 4K generated from the abundant RGB data of the 8K sensor enables more refined imaging capabilities with less incidence of moiré, false colors, “jaggies”, and noise.

Up to 4K120 Slow and Fast Motion Recording Mode in 4:2:2 10-Bit

The EOS R5 C camera can record High Frame Rate (HFR) movies at up to 120p at DCI/UHD 4K resolutions (4096 x 2160/3840 x 2160) in 4:2:2 10-bit without cropping the sensor. Great for shooting scenes full of fast-paced action, the EOS R5 C camera’s fast and intuitive autofocus remains enabled even during HFR recording, making it ideal when shooting from a gimbal or drone, delivering outstanding focus accuracy at HFR or at common frame rates.

Simultaneous Audio Recording Enabled with HFR

Unlike some other cameras where audio is not recorded during HFR shooting, the EOS R5 C camera can record .WAV audio as a separate file from video, virtually eliminating the need for separate audio recording and delivering HFR video and audio files in one convenient device when shooting slow motion or fast motion video.

Canon Log 3 Expands Expressive Possibilities

The EOS R5 C camera features Canon Log 3, which is found in many Canon cameras and works with multiple Canon EOS and Cinema EOS cameras. The wide dynamic range can be used for a wider range of grading after shooting. Canon Log 3 is a gamma that is designed for simple grading, such as tightening dark areas and adjusting tones. It carries on Canon Log’s ease of use with less noticeable noise. It can also be used when shooting with other Cinema EOS system cameras such as the EOS C300 Mark III and EOS C70 cameras.

Enhanced Image Stabilization

Enhanced image stabilization is achieved through coordinated control when Canon’s RF lenses with optical IS are combined with the EOS R5 C camera’s electronic IS when shooting XF-AVC or MP4 formats. With an RF lens that has optical IS and the electronic IS in the EOS R5 C camera, coordinated control helps achieve the optimum hand-shake correction effects. This helps achieve better anti-vibration performance than with conventional IS-equipped EF lenses (using optional Mount Adapter EF-EOS R) and electronic IS together.

Canon VR with RF5.2mm F2.8 L Dual Fisheye Lens Support and Workflow

The EOS R5 C camera is an excellent camera pairing with Canon’s RF5.2mm F2.8 L Dual Fisheye Lens to achieve stereoscopic 3D 180° VR video (viewing in 3D requires the use of a compatible Head Mount Display). A plug-in for Adobe Premiere Pro and Canon’s EOS VR Utility are available to streamline the workflow from shooting to editing.

Dual Pixel CMOS AF with iTR AF X

Canon’s Dual Pixel CMOS AF technology uses every pixel on the imaging sensor to detect focus, and also to capture actual image information achieving both high precision focusing and high image quality. With most Canon RF and EF lenses, AF for video can be carried out over approximately 80% of the vertical and horizontal area of the screen.

Touch AF allows positioning an AF point by simply touching the LCD screen, in addition to quick manual positioning with the 8-way multi-controller on the rear of the camera.
The camera features Eye AF/Head Detection AF, developed with the use of deep learning technology to improve subject tracking.
It also provides human detection (eyes/face/head), allowing it to track subjects accurately even when AF control is not available.
Users can track focusing as desired depending on their subject or shooting situation. A wide variety of AF modes enable autofocus shooting that flexibly responds to the subject’s movement.
Users can leave focusing to the camera and concentrate on their camera work.

Still Imaging Features

High Still-Image Quality Featuring a 45MP Full-Frame CMOS Sensor & DIGIC X Processor.

Still-imaging features and operation are nearly identical to Canon’s EOS R5 camera. The EOS R5 C camera features the same Canon-developed CMOS sensor with approx. 45 effective megapixels, and a DIGIC X Image Processor to enhance the speed of operations across the board. This means fast, efficient performance and phenomenal image quality for big prints, impressive video, and more.

DIGIC X Image Processor with an ISO Range of 100-51200; Expandable to 102400

Delivering high standard and expanded ISOs (for still images), and a broad range of options to help enhance shooting in varied and fast-changing lighting situations, the EOS R5 C camera can shoot at expanded sensitivities down to ISO 50 (L) and up to 102400 (H).

High-Speed Continuous Shooting

High-speed continuous shooting of up to 12 fps with Mechanical Shutter and up to 20 fps Electronic (Silent) Shutter
High-speed continuous shooting with full AF subject detection and tracking, at all still-image quality settings
A high-precision Dual Pixel CMOS AF system allows the EOS R5 C camera to reliably capture approximately 100% of the still-image area, with most Canon lenses

Same Subject Detection and Tracking AF as the Canon EOS R5

The same subject detection and tracking AF as the Canon EOS R5 Camera, even at shooting speeds as fast as 20 fps.

Head and Eye Detection

Select “People” as the EOS R5 C’s “subjects to detect,” and like the EOS R5, it can focus on a detected person’s eyes, face, head (if a face is obscured), or even entire body if a head cannot be detected.

Animal Detection

For still images, the same revolutionary Animal Detection AF as the EOS R5 can identify and focus upon eyes, faces, or bodies of birds, cats, and dogs, and can do so over virtually the entire image area with many Canon lenses. This opens up game-changing possibilities for wildlife images, even with subjects as challenging as birds in flight.

Vehicle Detection

Carried over from the high-performance Canon EOS R3 camera, the EOS R5 C adds Vehicle Detection AF as a subject detection option, during still-image shooting. Cars and motorcycles, especially in racing applications, can be identified and tracked, even at high speeds. User-selectable Spot Detection lets the R5 C’s AF detect the helmets of an exposed rider or driver, and put focus upon them, instead of the leading edge of the vehicle.

AF Area Flexibility

Select the size of the active AF area from a precise single AF point to the entire available AF area and rapidly move a user-selected area via the 8-way multi-controller on the back of the camera. The EOS R5 C has the same range of choices for still-image AF method selection as the EOS R5 camera.

AF Area Coverage of Approx. 100% x 100% for Still Images

The EOS R5 C camera features an expansive focus area of approximately 100% horizontal and 100% vertical when working with select RF and EF lenses, during still-image shooting. With older EF lenses, or with EF Extender types I and II, the EOS R5 C focuses on approx. 80% horizontally and 80% vertically of the image. This means fast and impressive focusing even when composing your subject far from the center of the frame.

EV -6 Low-Light Autofocus

Great for night photography or in very low-light settings, the EOS R5 C camera’s brilliant AF can operate for still images in light as dim as a light rating of EV -6 where other AF systems may fail or search. Still-image AF is possible with lens + Canon RF tele extender combinations having maximum effective apertures as slow as f/22 – meaning AF is still possible with the RF 800mm f/11 IS STM + RF 2x Extender.

Sony Alpha α9 II Mirrorless Digital Camera Body ILCE9M2/B

Tue, 13 May 2025 09:46:37 +0000

Created specifically to support working professionals in the fields of sports photography and photojournalism, the Alpha 9 II delivers unmatched performance including blackout-free continuous shooting⁸ at up to 20 frames per second² with Auto Focus and Auto Exposure tracking at 60 calculations per second³, plus continuous shooting at up to 10 fps with mechanical shutter. Evolved Artificial Intelligence autofocus with Real Time AF tracking⁶ for accurate image acquisition and built-in connectivity and file delivery for the professional’s workflow with file transfer over SSL or TLS encryption (FTPS) for increased data security.

24.2 MP¹ stacked Exmor RS® CMOS sensor

From the world’s largest sensor manufacturer comes the fastest 35mm full-frame 24.2 MP1 stacked Exmor RS® CMOS sensor, which includes several features that contribute to incredible high-speed performance and outstanding image quality. Separate circuit and pixel layers allow for a significant increase in processing speed for the large volume of data that can also be temporarily stored in internal memory, contributing to a substantial increase in overall pixel readout speed. The combination of this advanced sensor and evolved BIONZ X processing enables blackout-free8 continuous shooting at up to 20 fps2 with up to 60 AF/AE tracking calculations per second3, silent vibration-free electronic shutter speeds up to 1/32000 sec, Anti-Distortion Shutter operation14, and other capabilities that add up to unprecedented speed from a full-frame camera without interference from mechanical devices.

Up to 20fps2 with up to 60 AF/AE tracking calculations per sec.

Capture all the action at the highest speed. A combination of groundbreaking high-speed full-frame stacked Exmor RS CMOS sensor with integral memory and BIONZ X processor with DRAM enables incredible completely silent continuous shooting up to 20fps2 at full 24.2MP1 resolution in RAW+JPEG with continuous AF/AE (autofocus and auto exposure) tracking at 60 calculations per second3 and no EVF or LCD blackout8. The large high speed buffer allow for up to 361 JPEG images or 239 compressed RAW images16 in a single burst. It is also possible to shoot up to 10 fps2 using the mechanical shutter.

AF/AE calculations up to 60 times/sec.

The extremely high readout speed of the Alpha 9 II Exmor RS sensor allows for autofocus and auto exposure (AF/AE) to be calculated up to 60 times per second³ and is virtually uninterrupted, both while composing the image and even upon releasing the shutter. You can depend on the continuous autofocus to lock onto and track erratically moving subjects with significantly high speed, precision, and reliability, while exposure automatically adjusts even through sudden brightness changes for consistently accurate exposure.

Voice Memo4

Designed to improve the speed of news agencies workflow, the Alpha 9 II features a Voice Memo function that allows spoken information to be attached to images which can convey important information when sent to the editor. Voice memos⁴ up to 60 seconds in length can be recorded and attached as a WAVE (.wav) file with the same name as the image file which can be transferred via FTP along with the corresponding image data without the need for additional equipment or software. Voice memos cannot be attached to movie files. Additionally, a photographer can also use the ‘Transfer & Tagging add-on’ Imaging Edge™ application to transfer voice tags with the images to their mobile device and have the voice memos automatically converted to text and added to the JPEG images in the form of IPTC metadata.

Transfer & Tagging add-on App

Voice memos can be read into the Transfer & Tagging add-on application (Version 1.1 or later) and automatically converted to text⁵ captions in regions where Google services are available. The Transfer & Tagging add-on application can then automatically add the converted text to JPEG images in the form of IPTC metadata, or the text can be manually copied and pasted as required. When using the Transfer & Tagging add-on application to transfer images with attached voice memos from a smartphone to an FTP server, it is possible to select JPEG only or JPEG+WAVE for transfer. By combining the automatic voice to text conversion and text embedding functionality with the application’s ability to auto transfer images with attached voice memos via FTP, it is possible to automatically embed text information in images with attached voice memos that have been transferred from the camera to the smartphone and upload the results to an FTP server without having to operate the smartphone.

Real-time Tracking⁶ automatically tracks the subject

Real-time Tracking⁶ is a state-of-the-art feature that employs artificial intelligence to tenaciously track moving subjects when shooting stills or movies. Accurate focus is maintained automatically while the shutter button is half-pressed. An advanced subject recognition algorithm uses color, pattern (brightness), and subject distance (depth) data to process spatial information in real time. If the subject is a person, AI is used to detect and keep track of the subject’s eye and face in real time for extremely high tracking precision. The focus area will seamlessly change between face and eye according to the condition of the subject. The subject to be tracked can also be specified by touching it on the monitor when the Touch Tracking function is engaged. Tracking On can also be assigned to a custom key so that the user can initiate tracking at any time.

Real-time Eye AF (Human)

Advanced AI-based subject recognition technology now allows fast, precise, automatic detection and tracking of animal eyes⁶ when Animal Eye-AF mode is selected. This can vastly increase success rates when photographing animals in a variety of settings or pets at home. Real-time Eye AF animal mode only works for stills and in any AF mode and can be initiated either by pressing an assigned custom button or by half-pressing the shutter button. Animal Eye-AF also works with Real-time Tracking in order to achieve unprecedented precision in tracking the eyes of moving subjects. Accurate focus may not be achieved with certain subjects in certain situations performance may not be as good as that in the human eye mode.

Eye AF right/left eye selection (Human)

It is possible to manually preselect the subject’s right or left eye. This can be an advantage for portraiture in which the eye to be focused on is predetermined, allowing the photographer to concentrate on composition, lighting, and other details. The “Right/Left Eye Select” menu item allows selection of “Right eye,” “Left eye,” or “Auto,” and the selection is applied when Eye AF is activated and works for both stills and movies. A custom key can also be assigned to alternately switch between left and right eye focus each time the button is pressed for fast selection in a variety of situations. The right/left eye selection cannot be changed while the shutter button is half-pressed.

Real-time Eye AF for animals⁶

Advanced AI-based subject recognition technology now allows fast, precise, automatic detection and tracking of animal eyes6 when Animal Eye-AF mode is selected. This can vastly increase success rates when photographing animals in a variety of settings or pets at home. Real-time Eye AF animal mode only works for stills and in any AF mode and can be initiated either by pressing an assigned custom button or by half-pressing the shutter button. Animal Eye-AF also works with Real-time Tracking in order to achieve unprecedented precision in tracking the eyes of moving subjects. Accurate focus may not be achieved with certain subjects in certain situations performance may not be as good as that in the human eye mode.

5 GHz⁷ wireless LAN support

The camera’s built-in wireless LAN functionality has been updated, adding a 5 GHz band⁷ to the 2.4 GHz band (IEEE 802.11a/b/g/n/ac standards are supported). The benefits of 5 GHz communication include less interference as well as faster, more stable data transfer.

1 Gbps Ethernet for fast communication

The Alpha 9 II provides upgraded network functionality with a built-in connector for wired 1000BASE-T Ethernet terminal, enabling high-speed gigabit communication for stable data transfer operations, including remote shooting¹². 1000BASE-T allows data transfer at up to 1 Gbps, up to 10x faster than the 100BASE-T (100 Mbps) connection provided on the original Alpha 9. FTPS (File Transfer over SSL/TLS) is supported, allowing SSL or TLS encryption for increased data security.

Remote Camera Tool¹² Ver. 2.1

The Remote Camera Tool application¹² has been updated to version 2.1 to support the improved wired LAN functionality of the Alpha 9 II. This update optimizes the Remote Camera Tool for the high-speed 1000BASE-T data communication capabilities including PC Remote (tethered) shooting, data transfer, and control. When using the Remote Camera Tool application with the Alpha 9 II for wired PC Remote (tethered) shooting, release time lag and live view delays are minimized for smooth, stress-free operation during image transfers. Data transfer speeds between the Alpha 9 II and computer are significantly increased, as are image transfer speeds during tethered shooting. Additionally, it allows remote SD card formatting, FTP server switching, and changes to the computer image storage location which provides improved support for professional photographers using fixed ceiling cameras at an arena or gymnasium, goal-line cameras at track events, and other situations where access to the camera is restricted.

FTP transfer functions

FTP background transfer capability is provided so the user can continue to shoot still images while image files are being transferred to an FTP server via a wired or wireless connection. It is also possible to specify protected and other file types for transfer, transfer single files by pressing an assigned custom key, specify JPEG or RAW file formats, and more. Up to nine FTP servers can be memorized for quick recall. In addition to direct transfer to an FTP server via a wired or wireless connection, transfer via the Transfer & Tagging add-on application installed on a mobile device is also possible. All this versatility can contribute greatly to the speed and efficiency of professional workflows. Movie files cannot be transferred and FTP transfer is not available during movie recording.

Wireless PC Remote (tethered) shooting

The Alpha 9 II can be connected to a computer via USB or wireless LAN (Wi-Fi) for PC Remote (tethered) shooting using Sony’s Imaging Edge “Remote” desktop application (Ver. 2.0 or later). Wireless connectivity means that the photographer can move around with fewer restrictions. 2.4 GHz or 5GHz7 Wi-Fi bands can be selected as required. In addition to wirelessly connecting the camera directly to the PC, the ability to connect via a wireless access point adds the flexibility needed to work with a variety of network environments. PC Remote shooting via a USB Type-C™ connector allows fast, stress-free wired PC Remote (tethered) shooting. In addition to providing a USB Type-C™ connector, data processing at both the camera and “Remote” (Ver. 2.0 or later) ends of the connection has been optimized, achieving notably faster transfer speeds compared to the Alpha 9. This allows smooth transfer of large uncompressed RAW image files for review on the computer without interrupting the flow of the session.

Blackout-free shooting8

Unlike mechanical camera systems with optical viewfinders, the Alpha 9 II viewfinder does not black out when an exposure is made. You can observe the reality of what you’re shooting with an uninterrupted view of the subject and scene that allows smooth, seamless framing and tracking even during high-speed continuous shooting. High readout speed from the Exmor RS sensor makes it possible to refresh the live view display on the EVF or LCD screen 60 times per second, while camera settings that affect the image are also applied to the EVF live-view display, providing a convenient preview of results.

5-axis in-body image stabilization

The high-precision stabilization unit and gyro sensors, plus optimized image stabilization algorithms, achieve up to a 5.5-step⁹ shutter speed advantage. When shooting stills, live view shows the stabilized image while the shutter button is half-pressed, even when the MF Assist or Focus Magnifier functions are used. A stabilized viewfinder image makes it easier to frame and focus when using a telephoto or macro lens, for example. In-body image stabilization means that effective stabilization can be achieved with a wide range of lenses, including E-mount and other lenses attached via a mount adaptor that do not include stabilization of their own. 5-axis image stabilization is effective for movies as well as stills.

Anti-flicker shooting¹⁰

The Alpha 9 II offers an anti-flicker¹⁰ shooting mode that automatically detects and adjusts for the presence of fluorescent or artificial lighting commonly found at sporting events. This mode minimizes exposure and color anomalies that can occur at the top and bottom of images shot at high shutter speeds in artificial lighting conditions, thereby maximizing image quality.

Silent, vibration-free anti-distortion shutter¹⁴

Shooting wide open in brightly lit conditions or freezing a fast-moving object in a moment without distorting the image due to slower shutter speeds is made possible with a fully electronic, high-speed, anti-distortion shutter¹³ that can achieve speeds as high as 1/32,000 sec., way beyond the limits of a mechanical system. In addition, the electronic vibration-free shutter delivers sharp images and is completely silent, without mechanical noise that can be disruptive when shooting sports or events in a quiet environment.

BIONZ X delivers Low noise at High ISO

The Alpha 9 II achieves high sensitivity of ISO 100 ~ 51200 expandable to ISO 50~204800 (not expandable for movie) for low-light performance thanks to the back-illuminated structure and Nano AR coating on the gapless on-chip lens architecture. The latest BIONZ X image-processing algorithm reduces noise in the medium-to-high sensitivity range while enhancing subjective resolution and image quality. Advances in Sony’s Detail Reproduction Technology achieve even finer reproduction of subject details for realistic rendering of physical textures. Area-specific Noise Reduction has also been improved so that better resolution is realized in dark areas and noise granularity is controlled for maximum image quality at high sensitivities. The algorithm also prevents AWB variations when shooting continuous bursts, for more consistent images. More consistent image quality is ensured in situations where lighting varies, such as sports or weddings.

4D Focus: Wide, fast, steadfast

The advanced Fast Hybrid Auto Focus system comprises of 693 focal-plane phase-detection AF points covering approximately 93% of the image area, as well as 425 contrast AF points. This achieves extremely fast and accurate performance, ensuring all fast-moving subjects are accurately captured. Additional focusing capabilities include Real-time Eye AF with right eye / left eye selection, Real-time Eye AF for animals, Real-Time Eye AF for movie, Real-time Tracking⁶, selectable focus frame color, Touch Pad focus point control while using the viewfinder and more. Continuous AF tracking is also available at Aperture settings greater than F16¹⁷, providing further accuracy for shots that require slower shutter speeds.

Accurate AF in low light

The Alpha 9 II includes a Focus Priority mode that provides more reliable Autofocus (AF) in low light and when using smaller apertures. The latest AF algorithms achieve high AF precision down to light levels as low as EV-3 (ISO 100 equivalent, F2.0 lens) for precise and reliable AF in dark scenes. In addition, the autofocus can continuously track when continuous shooting up to F22 aperture17. This improvement provides further accuracy in order to take follow shots, which requires slow shutter speed.

Touch Pad focus while using the viewfinder

The touchpad function allows the user to drag the focus frame to any desired point with a fingertip while using the viewfinder. Positioning is normally relative (relative position), with the focus frame responding to the distance a finger is moved on the monitor surface. Absolute positioning can also be selected, so that focus moves directly to the point touched on the monitor. Nine area patterns are provided for easy operation when viewing with the left or right eye, when using a thumb for touch control and is available even when touch tracking is engaged.

Touch focus and touch tracking

With Touch Focus, for smooth focus point selection, you can simply touch the monitor screen to specify the desired focus point when shooting stills or movie. Even subjects near the edges of the frame can be instantly selected thanks to the wide 693 AF point coverage. Double-tap any point on the monitor for a magnified view of that area when focusing manually. Touch Tracking easily specifies the subject and starts automatic tracking. Simply set touch operation to “Touch Tracking” in advance and touch the subject on the monitor to initiate Real-time Tracking⁶.

Selectable focus frame color

The focus frame color can be set to gray, white or red. This provides improved visibility in situations where subject and focus frame color contrast is low and it is difficult to make out the focus area against the subject. Selectable focus frame color can make focusing easier in previously difficult situations.

Focus area circulation

This setting allows the focus area to be circulated through the upper, lower, left, and right edges of the frame. This makes it faster and easier to select an appropriate focus area for sports or other situations where the subject frequently moves from one edge to the other.

Display limit for AF area and ISO

This feature makes it possible to display only the most frequently used settings that can contribute to faster, more efficient shooting. Display settings can be selected in the menu to show or hide Focus Area settings or assigned to a custom button for quicker, easier selection. Display limiting for ISO settings, allows the display range to be limited to frequently used choices.

Expand Flexible Spot

When using Flexible Spot to position the focus point, this function automatically shifts focus to one of the eight adjacent focus points if the subject moves away from the selected focus point, thus maintaining perfect focus.

AF Tracking Sensitivity Adjustment

When shooting stills, the sensitivity with which autofocus will follow subjects that move outside the focus area can be adjusted in 5 steps. Select “5” for (most sensitive) when focusing successively on subjects at varying distances, or “1” for (least sensitive) to keep focus on a main subject when other subjects are moving between the main subject and camera, for example.

Autofocus in Focus Magnifier

When shooting stills, it is possible to use autofocus while the selected focus area is magnified in the viewfinder or monitor. You can even magnify the view after autofocus has been achieved for easier focus confirmation or refocusing. Since this function can be used to focus on an area smaller than the Flexible Spot, it is ideal for macro photography and other situations where focus must be precise.

Focus Area Registration

Predetermined focus areas can be memorized and temporarily recalled via custom button assignments for fast, convenient one-touch recall when needed. An ideal feature when you know where a moving subject is going to be in advance. Focus area mode settings can also be memorized and recalled so you could, for example, memorize the wide or zone settings and recall as necessary according to subject size and movement when shooting with the Flexible Spot function.

Switch Vertical and Horizontal AF Area

It is possible to use separate or identical focus areas and points for horizontal and vertical camera orientations. The ability to use separate focus areas and points reduces the need to readjust focus when shooting portraits or any subject that requires frequent camera orientation changes, for smooth, efficient operation.

Recall Custom Setting During Hold

Memorized settings (exposure, focus settings, drive mode, etc.) can be assigned to custom buttons for temporary recall while the button is held. This is a great way to quickly make temporary setting changes. The Alpha 9 II adds AF tracking sensitivity to the list of settings that can be memorized.

Improved operability while writing to memory card

The Fn menu can be accessed and some settings changed immediately after continuous shooting, while data writing is in progress, as can some of the menu displays and parameters. It is also possible to access the playback display, and the number of still images remaining to be written to memory is shown on the display during playback.

14-bit RAW Format

Compressed and uncompressed 14-bit RAW formats are supported. Uncompressed 14-bit RAW is a good choice in situations where the sensor’s wide dynamic range and fine gradation reproduction will benefit the images being captured. 14-bit RAW output is even available when shooting single images using the electronic shutter.

14-bit RAW Format

3.69-million-dot, high-luminance Quad-VGA OLED Tru-Finder displays fine detail

This high-resolution, high-luminance Quad-VGA OLED Tru-Finder has approximately 3.69-million-dots for fine detail reproduction. It incorporates a four-element optical design that includes a double-sided aspherical element, achieving 0.78x magnification (approx. 38.5° diagonal field of view), and corner-to-corner clarity that is simply outstanding. The ZEISS T* Coating greatly reduces reflections. A fluorine coating on the outermost viewfinder lens prevents fingerprints, dust, water, oil, and dirt from sticking. There is even a mode that allows display at high 120 fps frame rates, providing a smooth viewfinder image with minimum display motion blur when shooting moving subjects. The finder frame rate can be set to 60 or 120 fps (NTSC) to best match the subject and shooting conditions: 120 fps (Hi) to track fast subjects, or 60 fps (STD) for maximum battery life. (Up to 4x slow motion and 50x quick motion available in PAL mode.)

Low-vibration high-reliability shutter

The entire shutter mechanism, including the shutter unit itself, has been thoroughly redesigned to suppress even the slightest movement that might cause blur. Shutter vibration that can cause blur is reduced to a minimum while allowing high-speed continuous shooting at up to 10 frame per second thanks to a new shutter unit with a new fast-response coreless motor. The shutter unit is attached to the chassis via dampers that effectively minimize vibration, while refinements to the camera’s image stabilization algorithms result in even further blur reduction. The system also includes a brake that subdues mechanical front and rear curtain shutter vibration. The shutter is quiet, and has been tested for durability in excess of 500,000 shutter cycles¹⁸.

USB 3.2 Gen 1 Type-C™ connector

The Remote Camera Tool¹² and Imaging Edge applications provide a choice of file storage options to support a variety of workflows. The storage destination for still images shot using the PC Remote function can be set via either the camera or the Remote application. Images can be stored on the computer only, in the camera as well as on the computer, or in the camera only. The ability to store images both in the camera and on the computer creates backups while allowing the operator to review images on the camera without having to leave the camera position. It is also possible to transfer only JPEG files to the computer. Transferring just the JPEG file rather than both the JPEG and RAW files reduces the data volume and allows transferred images to be checked almost immediately.

File transfer to Smartphone

Data transfer using a mobile device is more convenient than ever. If the “Power off connection” in the camera’s smartphone settings is turned ON, and the camera and smartphone are paired via Bluetooth, it is now possible to transfer files from an SD card in the camera via Wi-Fi even if the camera power is OFF. Images to be transferred are selected via the Imaging Edge Mobile application installed on a paired mobile device. Movie files can also be transferred in this way.

Bluetooth remote control support

Bluetooth remote control from Sony’s new RMT-P1BT Wireless Remote Commander is supported. Bluetooth remote control is unaffected by obstacles or ambient light, providing greater flexibility and reliability for a variety of shooting situations.

Location Information Link via Bluetooth

When ”Location Info. Link” in the camera’s “Location Info. Link Set.” menu is turned ON and the camera has been paired to the Imaging Edge Mobile application (version 7.2 or later) installed on a compatible mobile phone or tablet device, location data can be acquired from the mobile device and recorded to the appropriate images. Bluetooth connectivity is available with Android, iPhone/iPad Bluetooth 4.0 or later as of October 2019. Please refer to http://www.sony.net/pmm/btg/ for more information.

Save and load settings from media card

When setting up multiple or new cameras, camera shooting settings can be saved to and loaded from memory card via the Setting Save/Load menu. Up to 10 setups can be saved to one media card and up to 20 setups to the Imaging Edge Mobile application (Ver. 7.2 or later). Saved setups can be transferred to any body of the same model number. In addition to save and load operations, setups can be deleted from the camera as necessary. Names of up to 8 characters in length can be assigned to each setup saved in the Alpha 9 II, for easy identification when a saved setup is to be reloaded. The Alpha 9 II can also save and load FTP settings. Not all settings are available for save and load, please check manual for details.

Navigate menus using the dials

Speed and efficiency has been added to the Alpha 9 II when navigating the MENU, by using the camera’s dials. The front dial selects menu tabs, the rear dial selects sub-tabs, and the control wheel selects individual menu items. The Fn button can also be used for menu tab selection.

My Menu

A My Menu feature allows up to 30 menu items to be registered for instant recall when needed. The registered items can be arranged in order of use frequency, and unused items can be erased as required. The user can create a custom menu that ideally suits his or her shooting needs. There is also a new setting that allows My Menu to be displayed when the MENU button is pressed while shooting.

My Dial

Custom function assignments can now be made to the front/rear dials and the control wheel. By assigning frequently used functions to these dials via the “My Dial during Hold”, “My Dial 1-> 2-> 3“ and “Toggle My Dial” functions, they become instantly available for temporary recall while a custom button is held.

Custom button function assignment　　　　　　　

Make it your own. The Alpha 9 II is highly customizable with 125 functions assignable to 15 custom buttons. Independent function sets can be assigned for stills, movies, and playback. “MENU” has been added to the items that can be assigned to custom buttons, so instead of using the MENU button on the left side of the rear panel, MENU recall can be assigned to a custom button on the right side of the rear panel for more “compact” right-hand operation, for example. In addition, the Fn button customization can be separate for stills and movie modes.

Efficient control during playback

In addition to scrolling through shot images one at a time, a new Image Jump setting make it possible to skip 10 or 100 frames at a time. This can make it faster and easier to locate a desired image. Select the 1, 10, or 100 frames setting via the Image Jump Setting menu.

Rating and protect functions facilitate on-location sorting

Star ratings (1 to 5 stars) can be applied to still images right from the camera controls. The same ratings are maintained when the images are imported into PlayMemories Home or Imaging Edge software running on a PC. The rating function can be assigned to a custom button so that ratings can be applied via the review playback display. There is also a protect function that can prevent accidental erasure of images. The protect function can be assigned to a custom button (C3 is the default) so that images can be quickly protected during review. Ratings and protection can be applied via the review playback display on location or while traveling to save time.

Peaking function makes manual focus easy

The detection accuracy of the peaking function that color-highlights the most sharply focused area has been improved in the advanced BIONZ X image processing engine. It is now easier than ever to identify the focus peak areas during the delicate focusing required in macro or portrait shooting. Peaking level can be set to Low, Mid or High while peaking color can be set to Red, yellow, blue or white as required for optimum visibility with a wide range of subjects.

3-inch (3.0 type) 1.44 million-dot tilting LCD screen

This 3-inch (3.0 type) LCD touch screen with 1.44 million dots features high resolution for detailed viewing. WhiteMagic™ technology is included to ensure that LCD viewing is bright and clear even in outdoor conditions. The monitor tilts upwards by a maximum of 107°, and downwards by a maximum of 41° for flexible hold and framing.

Reliable and durable for demanding jobs

Dust and moisture resistance11 of the Alpha 9 II is a step above the Alpha 9 thanks to refinements throughout the body. Additional sealing is provided at all body seams as well as the battery compartment cover, and the media slot now has a double sliding cover rather than the previous hinged cover to keep water out. A redesigned lens lock button and additional cushioning around the mount are other refinements that contribute to outstanding reliability even in challenging outdoor conditions. Although the dust and moisture resistance and therefore reliability have been significantly improved, the body dimensions remain almost the same.

Durable magnesium alloy chassis

High body durability has been achieved through the use of a lightweight, high-rigidity magnesium alloy for the top cover, front cover, internal frame, and rear cover. Additionally, the mount is attached by six screws for extra strength and rigidity that can handle heavy super-telephoto lenses.

High-performance battery extended recording time　

The Alpha 9 II uses Sony’s high-capacity Z-series battery and thanks to circuitry designed for low power consumption, can shoot up to 500 still images on a single charge when using the electronic viewfinder. That’s 20 more than the Alpha 9. For even more uninterrupted operating time, the optional VG-C4EM Vertical Grip holds two NP-FZ100 batteries, and the optional Multi Battery Adaptor (NPA-MQZ1K) can hold up to four Z batteries. The body can also be powered via the USB connector. A battery must be installed in the body when power is being supplied via the USB connector.

Two UHS-II compatible media slots　　　

The upper (Slot 1) and lower (Slot 2) media slots are both compatible with UHS-I and UHS-II SD cards, allowing higher overall capacity and faster read/write speeds. As in previous models, the same data can be simultaneously recorded to both cards for backup, or the user can choose to separate RAW/JPEG and stills/movies. There is also a “relay” mode in which still image or movie recording will automatically switch to the second media card when the first media card becomes full.

Note: Memory Stick media are not supported.

Improved grip hold　　　　

To minimize stress on the user when shooting for long periods of time and/or with long telephoto lenses, the Alpha 9 II grip configuration has been improved over the Alpha 9 for even greater comfort and sure hold. The grip itself is long enough to provide ample room for the little finger. Overhang in the middle finger area has also been increased.

Improved AF-ON button operation　　　　

The diameter of the frequently-used AF-ON button has been increased on the Alpha 9 II, its height has been adjusted, the feel of its tactile feedback “click” refined, and its location revised to provide even easier control than the Alpha 9. Smooth, intuitive control allows the user to concentrate on photography, not the camera.

Improved multi-selector operation　　　　

The Alpha 9 II features a redesigned multi-selector shape and textured surface for better grip, improving operability over the Alpha 9. Response in all eight directions has also been improved for sure operation without having to look at the control.

Exposure compensation dial lock button

An exposure dial lock button is now provided at the center of the exposure compensation dial. Pressing the button alternately locks (button down) and unlocks (button up) the exposure compensation dial. The dial can be locked to prevent accidental, unwanted changes while shooting.　

Rear-dial operation

The shape and position of the rear dial on the Alpha 9 II has been improved over the Alpha 9 for even easier access and operation.

Drive mode and focus mode dials

Independently operable stacked drive mode and focus mode dials allow fast access to and selection of drive and focus modes. The user can quickly select the single or continuous drive mode, or the single AF or continuous AF focus mode, for example, without having to access menus via buttons. Both dials are lockable, preventing unwanted mode changes during use and unwanted ganged rotation when operating one dial.

Full-frame 4K movies¹³

The Alpha 9 II is exceptionally capable as a video camera, offering 4K¹³ (QFHD 3840×2160 pixels) video recording across the full width of the full-frame image sensor. In video mode, the Alpha 9 II uses full pixel readout without pixel binning to collect about (6K) 2.4x the amount of data required for 4K movies, and then oversamples it to produce high quality 4K footage with exceptional detail and depth. The Alpha 9 II uses XAVC S codec for 4k and HD and can record Full HD at 120 fps¹³ at up to 100 Mbps, allowing footage to be reviewed and eventually edited into 4x or 5x slow motion video files in Full HD resolution.

Fast Hybrid AF and touch tracking for movie

A refined Fast Hybrid AF focal plane phase-detection AF system achieves faster, smoother, more stable autofocus during movie recording. Consistent, stable tracking is maintained even if an object temporarily moves in front of the main subject, or a small aperture must be used. This greatly reduces the need for manual focus adjustments when the camera is used on a gimbal, for vlogging, or in other one-operator shooting situations. In addition, the Touch Tracking function is also effective for movie recording. The user can simply touch the subject to be tracked on the monitor, and the camera will then process color, pattern (brightness), distance (depth), and face information to precisely and smoothly track the selected subject.

Real-time Eye AF (Human) for movies

Human eyes can be automatically identified and tracked while shooting movies. The eye is automatically tracked with high precision and reliability so that the operator can concentrate on the content rather than focus. The same Touch Tracking functionality that is provided for stills is also available for movie shooting with Real-time AF. Easily initiating Real-time Eye AF tracking on a specified eye. Left/Right eye selection is also available. When shooting movies while “Face/Eye Priority in AF” is ON, the camera tracks the subject’s eye. When Face/Eye frame Display is ON, a white frame will be displayed on the target eye and the eye will automatically be tracked. With the default “Face/Eye Frame Display, ON/OFF” is set to OFF, no white eye frame will appear, even if the eye is being tracked. Animal Eye AF is not supported for movies.

MI shoe digital audio interface¹⁵

A digital audio interface¹⁵ has been added to the camera’s Multi Interface (MI) Shoe. The new ECM-B1M Shotgun Microphone or XLR-K3M XLR Adaptor Kit can be can be connected directly to the MI shoe for cleaner, clearer audio recordings. Like other MI shoe accessories, no cables or batteries are required, providing unrestrained freedom for α system moviemaking. Supported accessories as of 1 October 2019: ECM-B1, XLR-K3M.

Slow and Quick Motion¹³

Slow motion and quick motion¹³ functions are provided with frame rates from 1 fps to 120 (NTSC)/100 (PAL) fps and can be selected in eight steps for up to 60x quick motion and 5x slow motion, recordable at up to 50 Mbps with full-HD quality. 24p, 30p/25p, and 60p/50p record settings can also be selected. It is even possible to preview the slow and quick motion effects on the camera display after shooting, before going to post production. Sound is not recorded during S&Q.

FOOTNOTES (at least 8pt font):
¹	Approximately effective megapixels
²	“Hi” continuous shooting mode. At shutter speed 1/125 sec. or higher. In AF-C mode the maximum continuous frame rate will depend on the shooting mode and lens used. A software update may be required for some lenses. Visit Sony’s support web page for lens compatibility information
³	At shutter speeds of 1/125 sec. or higher. The number of AF calculations will depend on the lens used
⁴	Voice memos are associated to images as WAVE (.wav) file format with the same name as the image.
⁵	Voice to text requires the use of Imaging Edge™ application with ‘Transfer and Tagging Add-on’ app. Version 1.1 or later required (released in October 2019). Only available in regions where Google services are available. Voice Memo exceeding 50 seconds cannot be converted to text. For more information on the new application updates, please visit the ‘Transfer & Tagging add-on’ website at https://sony.net/ttad/
^6s	Rea-time Tracking activated in the menu. Eye-AF for Animal works for stills only.
⁷	Models sold in some countries/regions support IEEE 802.11b/g/n (2.4 GHz) wireless LAN only. 5 GHz communication may be restricted in some countries and regions
⁸	Electronic shutter mode. Display updating will be slower at slow shutter speeds
⁹	CIPA standards. Pitch/yaw shake only. Planar T* FE 50mm F1.4 ZA lens. Long exposure NR off
¹⁰	Only 100 Hz and 120 Hz flicker is detected. Continuous shooting speed may decrease. Flicker-free shooting is not available during electronic shutter, BULB exposure, or movie recording
¹¹	Not guaranteed to be 100% dust and moisture proof
¹²	Version 2.0 or later required. For more information on the new application updates, please visit the ‘Remote Camera Tool’ website at https://support.d-imaging.sony.co.jp/app/remotecameratool/l/index.php
¹³	A Class 10 or higher SDHC/SDXC card is required for XAVC S format movie recording. UHS speed class 3 or higher is required for 100 Mbps recording.
¹⁴	1/32000 shutter speed is available only in the S and M modes (there are no intermediate settings between 1/16000 and 1/32000). The highest shutter speed in all other modes is 1/16000. Some distortion may occur when shooting fast-moving subjects or if the camera is moved sideways rapidly while using the electronic shutter.
¹⁵	Digital audio interface recording requires compatible Sony’s microphone, e.g. ECM-B1M or XLR-K3M XLR microphone adaptor
¹⁶	“Hi” continuous shooting mode, UHS-II memory card. Sony tests.
¹⁷	When the camera [Aperture Drive in AF] is set to [Focus Priority], the aperture value can be set greater than F16. The continuous speed slows down. Compatible lenses: SEL200600G, SEL35F18F, SEL400F28GM, SEL600F40GM
¹⁸	Sony internal tests with electronic front curtain shutter.

Sony Alpha A7 IV Mirrorless Digital Camera Body Only ILCE7M4/B

Tue, 13 May 2025 09:46:37 +0000

An all-arounder that pushes beyond basic, the Sony Alpha a7 IV does double duty with strong stills and video performance. An advanced hybrid mirrorless camera, the a7 IV has the resolution and AF performance that appeals to photographers along with robust 4K 60p video recording for filmmakers and content creators.

The newly developed 33MP Exmor R CMOS sensor pairs with the BIONZ XR processor from the Alpha 1 to achieve quick shooting up to 10 fps and 4K 60p video recording, along with broad sensitivity up to ISO 51200 and a wide 15+ stop dynamic range. Beyond image quality, the sensor and processor also contribute to an advanced AI-based AF system that supports Real-time Eye AF and Real-time Tracking for intuitive AF control and subject tracking.

This fourth-generation of the a7 camera also sports an updated body design that houses a higher resolution 3.68m-dot EVF, vari-angle touchscreen LCD, and dual memory card slots, including one dual CFexpress Type A/SD UHS-II slot. Connectivity and streaming are also a key attribute of this camera, and it supports a simple plug-and-play design for live streaming directly from the camera when connected to a computer via USB.

Sensor and Processor

33MP Exmor R BSI CMOS Sensor

Newly developed 33MP Exmor R full-frame sensor features a back-illuminated design that promotes high clarity, low noise, and vivid color rendering. This design benefits working in low-light conditions and works in conjunction with a broad sensitivity range of ISO 100-51200. The sensor’s design also achieves an impressive dynamic range of approximately 15 stops and files can be recorded in raw, JPEG, or the 10-bit HEIF format.

BIONZ XR Processor

Using the flagship-class BIONZ XR engine, high-speed image processing capabilities are available for fast continuous shooting, 4K video recording, and advanced AF tracking performance. The quick processing also helps to reduce rolling shutter and other motion distortions for clean rendering of moving subjects.

In terms of shooting speeds, the sensor and processor enable up to 10 fps shooting, using either the mechanical or electronic shutter and with AF/AE enabled. Also, the buffer permits recording up to 828 consecutive uncompressed raw + JPEG frames when using a CFexpress Type A card.

Advanced External Flash Control

Suiting working with flash while photographing fast-moving subjects, P-TTL flash metering is possible in between each exposure when working with lo, mid, or even hi-speed continuous shooting modes. This helps to maintain stable illumination if making low-light bursts and greatly benefits working in changing light or low-light conditions. The updated flash control system also helps to reduce flash trigger lag, uses the camera’s AWB information for natural color rendering, and supports adjusting select flash and transmitter units directly from the camera’s interface.

Video Recording

4K 60p Video Recording in 10-Bit

Making full use of the high-resolution 33MP sensor and fast processing capabilities, UHD 4K 30p XAVC HS 10-bit recording is possible using the full width of the sensor, offering 7K oversampling for impressive sharpness and realism.
There is also oversampled 4K recording, via a 4.6K capture area, with a Super 35 crop, that offers UHD 4K output up to 60p in 10-bit.
No recording time limit allows for unlimited clip lengths and the camera’s physical design features an improved heat-dissipating structure to promote longer possible recording times; longer than one hour of continuous 4K 60p 10-bit 4:2:2 recording, for example.
The a7 IV employs a pair of codecs to suit different workflows: XAVC HS, which uses HEVC/H.265 encoding to retain more detail at smaller bitrates and XAVC S-I, which is an intraframe codec for consistent performance and quality at bitrates up to 600 Mb/s.

S-Cinetone, S-Log3, and Other Color and Gamma Controls

S-Cinetone can be used to deliver distinct colors and healthy-looking skin tone rendering that matches the FX9 and FX6 cameras, along with the a1 and a7S III, and is based on technology from the professional Cinema Line cameras, such as the VENICE. This color profile offers natural mid-tones, soft colors, and especially well-controlled highlights.
HLG (Hybrid Log-Gamma) support permits recording within a wide color gamut for producing HDR-ready content directly from the camera.
S-Log3 is also available for producing a 15+-stop dynamic range with increased grading control in the shadow to mid-tone regions of the image.

Fast Hybrid AF System

AI-Based Autofocus

Covering approximately 94% of the image area, a Fast Hybrid AF system incorporates 759 phase-detection points for quick and precise focusing in a variety of lighting conditions with sensitivity down to -4 EV. This focusing system is available for use in all recording modes, to benefit both video and stills applications.

Real-time Tracking and Real-time Eye AF

Borrowing from the flagship AF system, the a7 IV has tuned tracking and subject detection capabilities that lock onto subjects quickly and refines focus accurately on recognized eyes and faces of subjects:

Real-time Tracking is an AI-based subject recognition system that recognizes color, pattern, and subject distance information for high accuracy and focusing speed.
Beyond just tracking subjects, Real-time Eye AF fine-tunes the focusing accuracy and recognizes human, animal, and bird’s eyes for critical sharpness. Real-time Eye AF even maintains focus on a subject’s eye when they leave and re-enter the frame, allowing for working in more spontaneous shooting situations.

AF During Video Recording and Additional Focusing Modes

Real-time Eye AF is fully supported during video recording, for subject detection and tracking of human, animal, and bird eyes while shooting.
For more control over how focus shifts appear during recording, seven-step AF transition speeds and five-step AF subject shift sensitivity controls let you refine how quickly focus shifts from point to point and how smoothly focusing shifts occur.
A unique solution to compensate for how certain lenses perform when racking focus, Focus Breathing compensation will automatically smooth focus transitions and maintain a consistent field of view when changing the focus position during a shot. This mode crops into the image slightly and corrects for any detected shifts in composition when focusing is happening.
Focus Map is a unique way of visualizing depth of field and functions in a similar way to peaking with a colorful overlay of the scene that indicates which parts of the scene are in front of and behind the focus point depending on the chosen aperture.
A feature carried over from the FX6 digital cine camera, AF Assist lets you intuitively switch over to manual focus control for adjusting focus position when working with AF. This is a quick way to shift selective focus between various subjects in a scene while recording.

Body Design, Connectivity, and Streaming

Viewfinder and LCD Screen

An improved QVGA OLED Tru-Finder EVF features a 3.68m-dot resolution that is approximately 1.6x higher in resolution than its predecessor for sharper, clearer viewing. This viewfinder supports both standard 60 fps and 120 fps frame rates for smooth motion rendering and its physical design has a long 23mm eye point, 0.78x-magnification, and 37.3° field of view.
Perfect for vlogging or other self-recording needs, the side-opening 3.0″ 1.03m-dot vari-angle articulating screen can be used in a front-facing orientation or can be tilted up or down to suit working from high or low shooting angles. This LCD is a touchscreen, too, for intuitive shooting control and menu navigation.

Hybrid Stills and Video Body Design

New to the Alpha line, there is a convenient Still/Movie/S&Q dial, beneath the shooting mode dial, that allows for quick changing between different recording modes. By changing between stills and movie recording modes, the menu system and custom buttons will change for more intuitive and practical use.
Customizable interface permits assigning 169 functions across 18 different buttons and the new rear dial R.
Dual memory card slots allow for flexible file saving and handling and can be configured to partition file types or can be used for overflow recording. One slot is a dual CFexpress Type A and SD slot and the other is solely an SD card slot; both are rated to support UHS-II memory cards.
Updated menu structure is more intuitive and complements having different workflows and settings selections for movie recording and stills shooting. The menu system also works in conjunction with the touchscreen design of the rear LCD.
Accepts the high-capacity NP-FZ100 rechargeable lithium-ion battery, which provides approximately 520 shots per charge when working with the viewfinder or 580 shots when working with the rear LCD.

Ports and Interface

Full-size HDMI A port offers a more reliable connection when working with external recorders.
A USB 3.2 Gen 2 Type-C port has been added, in addition to a micro-USB port, for faster, more reliable tethering support. The USB Type-C connection allows the camera to be charged or powered from the host power source while connected.
Both 3.5mm headphone and external microphone ports facilitate greater control over audio recording.
Multi Interface Shoe supports working with the optional ECM-B1M Shotgun Microphone or XLR-K3M XLR Adapter Kit, which provide improved, clear audio recording sound by sending a digital audio signal to the camera, opposed to an analog signal.
USB Type-C port can be paired with an optional Ethernet wired LAN adapter to provide 1000BASE-T connectivity, wired remote shooting, or FTP transferring.

5-Axis SteadyShot INSIDE Image Stabilization

Enhanced 5.5-stop effective 5-axis SteadyShot INSIDE image stabilization system compensates for five different types of camera shake encountered during handheld shooting of stills and video and allows users to confidently use any lens, even adapted lenses, for critical shooting without encountering blur from camera shake.
For long focal lengths, the system will correct for pitch and yaw adjustments. Macro and high-magnification imagery, on the other hand, will benefit from the inclusion of horizontal and vertical shift compensation. All shooting styles will get usage out of the roll compensation. All 5 axes of stabilization will function at all times, even when used with third-party lenses and adapters or lenses with built-in optical stabilization.
Additionally, specifically for video, there is also an Active IS mode that adds even more precise stabilization methods for even smoother footage straight out of camera.

Wireless Connectivity and Streaming

Built-in Wi-Fi enables the remote camera control and instant sharing of imagery to mobile devices for direct sharing online, and support for both 2.4 and 5 GHz bands also enables wireless tethered shooting support. This connectivity also provides remote camera control.
Use of the Imaging Edge mobile app is benefitted by Bluetooth to maintain a reliable connection between the camera and mobile device.
Live streaming is possible directly from the camera simply by connecting the camera to a computer or compatible mobile device via USB, allowing the camera’s video and audio capabilities to be used for live social media and video conferencing.
4K 15p, FHD 60p/30p, and HD 30p recording settings are available and there are also internal Creative Look and Soft Skin effects for a refined image quality straight from the camera.
Internal recording is supported to a memory card while live streaming.
UVC and UAC standards are supported for improved picture and sound quality during streaming.
Supports Visual Story for easy cloud-based deliver of photos and videos immediately after shooting.

OM System OM-5 20.4 Mirrorless Digital Camera with Olympus M.Zuiko ED 14-150mm F4-5.6 II All in One Zoom Mirrorless Micro Four Thirds Lens (Black)

Tue, 13 May 2025 09:46:37 +0000

20.4MP Live MOS Sensor and TruePic IX Image Processor

A high-resolution 20.4MP Live MOS sensor and updated TruePic IX image processor work together to provide fast shooting performance, a sensitivity range up to ISO 25600, and versatile 4K video recording capabilities. Additionally, the sensor and processor provide an impressive continuous shooting rate of up 30 fps when shooting in the camera’s new Pro Capture mode, enabling you to capture fast-moving subject when time is of the essence.

121-Point All Cross-Type Phase-Detection AF

An advanced autofocus system combines both 121 phase-detection AF points and 121 contrast-detection AF points for focusing performance that is both quick and accurate. All 121 phase-detection points are cross-type for improved precision in mixed lighting conditions, providing enhanced subject tracking capabilities. Different focusing modes are available to suit working in various shooting conditions as well, including Group Target 25-point mode for moving subjects such as birds and wildlife. Face Detection and Eye Detection AF have also been upgraded, and the camera features a recently designed Starry Sky AF mode as well as individual AF area settings for vertical and horizontal positions.

5-Axis Sensor-Shift Image Stabilization

In-body, sensor-shift image stabilization helps to minimize the appearance of camera shake by up to 6.5 stops with any lens in use and compensates for camera movements that become especially noticeable when working with telephoto shots, macro imagery, and long exposures. Furthermore, this unique image stabilization system works across five axes to compensate for vertical angle rotation, horizontal angle rotation, horizontal shift, vertical shift, and rolling camera shake movement. This range of detected movements benefits traditional still image shooting as well as movie recording and working with moving subjects more effectively. Additionally, when paired with select lenses featuring optical image stabilization, shake compensation up to 7.5 stops is possible.

DCI and UHD 4K Video Recording and OM-Log400

The sensor and processor also support recording both DCI (4096 x 2160) and UHD (3840 x 2160) 4K movies. When working in DCI, a true 24p frame rate is used, while UHD 4K is available in frame rates up to 30p. Audio recording is possible using the built-in stereo microphone, and an external mic jack is available for improved audio recording quality. Additionally, a Time-lapse Movie mode is also available for recording up to 4K UHD resolution.

Creative Shooting Modes

Simulating the effects of a neutral density filter, Live ND 16 mode results in blurred subject movement by combining exposures into a single image to replicate a photo taken at slower shutter speeds. This is particularly suitable for photographing moving water and clouds.
Focus stacking mode records multiple sequential frames then composites the exposures into a single image that exhibits an extended depth of field.
High-Res Shot mode offers the equivalent output of a 50MP image.
Live Composite mode gradually builds up an exposure over time without overexposing key elements within the frame and is ideal for long exposures, nighttime shooting, and light painting applications.
New Vertical Video mode provides a 9:16 aspect ratio for easily integrating videos on Facebook, Instagram, YouTube, and other similar platforms.

Body Design and Connectivity

High-resolution 2.36m-dot electronic viewfinder for eye-level monitoring and clear, distortion-free viewing.
Rear 3.0″ 1.04m-dot LCD monitor features a vari-angle design to support working from a variety of angles, and it is also a touchscreen for intuitive menu navigation and image playback.
Included BLS-50 rechargeable lithium-ion battery is used to provide approximately 310 shots per charge.
In-camera battery charging is supported via the micro-USB port.
Single SD memory card slot is UHS-II compatible for fast read/write speeds.
Wide accessory compatibility provided with the incorporation of a microphone port, a top hot shoe, micro-USB and micro-HDMI ports, and a 2.5mm port for optional remotes.
Rugged splashproof, dustproof, and freezeproof construction incorporates extensive sealing throughout the body design to accommodate working in harsh weather conditions and trying environments.
Built-in Wi-Fi and Bluetooth permits wireless image sharing and remote camera control from a linked smartphone or tablet.

Olympus M.Zuiko ED 14-150mm F4-5.6 II All in One Zoom Mirrorless Micro Four Thirds Lens

Spanning a wide-angle to telephoto range, this all-in-one zoom is designed for Micro Four Thirds mirrorless cameras and provides a 28-300mm equivalent focal length.

One Dual Super Aspherical element, one aspherical element, two E-HR (Extra-High Refractive Index) elements, and one high refractive index element are used to reduce spherical aberrations and distortion throughout the zoom range for increased sharpness and resolution. An EDA (Extra-Low Dispersion Aspherical) element and one extra-low dispersion element are also used to reduce chromatic aberrations and color fringing for improved clarity and color accuracy.

A ZERO (Zuiko Extra-low Reflection Optical) coating has been applied to individual elements to minimize lens flare and ghosting for improved contrast and color fidelity when working in strong lighting conditions.

Movie & Still Compatible (MSC) autofocus system benefits both photo and video applications due to its smooth, quiet, and fast performance.

Dust-, freeze-, and splash-proof design ensure the lens’ performance in inclement and harsh conditions.

FujiFilm X-T5 40MP Mirrorless Camera Body (Silver) 16782337

Tue, 13 May 2025 09:46:36 +0000

40MP APS-C X-Trans CMOS 5 HR BSI Sensor

Offering the ultimate in image quality, the X-T5 features a 40MP X-Trans 5 HR CMOS sensor in a compact, lightweight body that maximizes functionality and portability. Imaging performance is in no way compromised by the camera’s diminutive proportions. Instead, the X-T5’s improved image processing algorithm delivers outstanding results and is packed with details right across the native ISO range.

Powerful Video Capabilities

A dynamic camera with powerful video functions, movies can be recorded internally at up to 6.2K at 30p in 4:2:2 10-bit color, plus there’s a 4K HQ mode which oversamples 6.2K footage for superior 4K output. This higher video resolution unlocks 2x digital zoom functionality, providing additional in-camera versatility without a noticeable drop in quality.

External Raw Recording

Both F-Log and F-Log2 recording are possible, with the latter providing an expanded dynamic range of 13+ stops. Additionally, 12-bit ProRes RAW and Blackmagic RAW can be output via HDMI to Atomos and Blackmagic devices accordingly.

425-Point Intelligent Hybrid AF System

Featuring outstanding autofocus performance, the X-T5 utilizes 425 phase-detection points and is now sensitive down to -7 EV for working in truly low-light conditions. Also, backed by deep learning, an AI adaptive algorithm means this focusing system is better suited to automatically detect and track animals, athletes, birds, cars, motorcycles, and moving subjects.

In-Body Image Stabilization

Thanks to the camera’s in-body image stabilization (IBIS) system, quality-sapping camera shake is minimized. Built-in 5-axis sensor-shift image stabilization helps to minimize the appearance of camera shake by up to 7 stops. This system works in conjunction with most X Series lenses, including non-stabilized ones, and benefits working with slower shutter speeds and when shooting in difficult lighting conditions. Additionally, digital image stabilization can also be used during video recording to further aid in steadying footage, especially when recording handheld.

Pixel Shift Multishot

Utilizing the camera’s IBIS system to precisely shift the sensor, Pixel Shift Multishot automatically records 20 separate frames with one press of the shutter release. Resulting files are combined using Pixel Shift Combiner software to quadruple the camera’s resolution and produce a detail-rich, 160MP file. Perfect for commercial applications or digital archiving, it’s also ideal for any static subject where image quality is of primary importance.

Built for Speed

The X-T5 provides powerful image making performance to ensure it’s ready for action, no matter how fast your subject is moving. A top electronic shutter speed of 1/180,000 sec and a maximum mechanical shutter speed of 1/8000 sec will stop any subject in its tracks, while a lag time of just 35 ms gives an almost instantaneous response when the shutter release is pressed. Keep a finger down, and the X-T5 will record images at up to 15 fps with the mechanical shutter, or 20 fps with the electronic shutter. Either way, no important moment will be missed.

Film Simulation Modes

Film Simulation modes allow you to reproduce the look and feel of several of FUJIFILM’s film types, including Provia, Velvia, Astia, Classic Chrome, PRO Neg.Std, PRO Neg. Hi, Classic Neg., Nostalgic Neg., Eterna Cinema, Eterna Bleach Bypass, Acros, Acros + Ye Filter, Acros + R Filter, Acros + G Filter, Black & White, Black & White + Ye Filter, Black & White + R Filter, Black & White + G Filter, and Sepia.

Enhanced Body Design

Large OLED electronic viewfinder features a crisp 3.69m-dot resolution for bright, clear, and detailed eye-level viewing. Additionally, this EVF offers 0.8x magnification for an easy-to-view image that is further enhanced by improved suppression of parallax and distortion compared to its predecessor. The 100 fps refresh rate, meanwhile, allows virtually blackout-free image making.
Large 3.0″ 1.62m-dot LCD touchscreen for intuitive operation and playback, and the tilting design greatly benefits working from high and low shooting angles.
Utilizing an NP-W235 battery, up to 680 frames can be recorded from a single charge, plus the mechanical shutter guarantees 500,000 actuations, delivering long-term accuracy and reliability.

Connectivity

Micro-HDMI port for outputting video to an external recorder or monitor.
USB 3.2 Gen 2 port supports tethering, data transfer, and in-camera battery charging.
3.5mm external microphone port for greater control over audio recording.
PC sync port for flash sync.
2.5mm remote port for using wired remote controllers.
Integrated Bluetooth and Wi-Fi connectivity allows for wirelessly sharing images to a mobile device or to use the device to remotely control the camera.

Fujifilm X-H2S Mirrorless Camera 16756924

Tue, 13 May 2025 09:46:36 +0000

Stacked Sensor and 64-Bit Processing

X-Trans 5 Stacked BSI Sensor

The first X Series camera to feature a stacked sensor, the X-H2S sports an APS-C-format 26.1MP X-Trans 5 stacked BSI sensor, which ups the readout speeds and improves low-light performance compared to previous generations. First, as an X-Trans sensor, it uses the unique color filter array that inherently minimizes moiré and contributes to more natural color rendering; next, the BSI design helps reduce noise and improve tonality and clarity; and, finally, the stacked design greatly reduces rolling shutter and other motion distortion to better suit high-speed video and photo photo applications.

X-Processor 5

Partner to the newly designed sensor is a fresh engine—the X-Processor 5—which uses 64-bit processing to realize 3x faster speeds for both video and photo tasks compared to the X-T4. On the video side, this enables recording at up to 6.2K with high bitrates like ProRes 422 HQ or at high speeds, like with 240 fps recording at Full HD.On the stills end, this quick processing means faster shooting to suit photographing moving subjects. When working with an electronic shutter, shooting at up to 40 fps is possible, with a buffer of 140 consecutive uncompressed raw frame. With the mechanical shutter, shooting speeds up to 15 fps are possible, along with the ability to shoot upwards of 1000 raw frames in a single burst.

Benefitting both video and stills applications, this processing also benefits the sophisticated and AI-backed autofocus system, helps achieve a 14-stop dynamic range, and enables a broad sensitivity range from ISO 160-12800.

Powerful Video Capabilities

4K 120p and 6.2K 30p Internal Recording

With a penchant for video, the X-H2S has a well-rounded recording system that places this camera squarely in the ‘hybrid’ category and performs equally well for video as it does for video. Internal 4:2:2 10-bit recording is possible in both DCI/UHD 4K at up to 120p and Full HD at up to 240p as well as an open-gate 3:2 6.2K setting that’s suitable for anamorphic applications. A variety of codecs are supported as well, including H.265 and three tiers of ProRes: the high bitrate 422 HQ, the standard 422, and the more compressed 422 LT. Also, continuous recording times up to 90 minutes are possible at all frame rates and resolutions.

External Raw Recording

Using the full-size HDMI port, raw video recording is possible when paired with a compatible external recorder. Both ProRes RAW and Blackmagic RAW recording is possible, along with the ability to work with F-Log or F-Log 2 profiles, and either format supports working in resolutions up to the open-gate 6.2K.

Improved Autofocus and Image Stabilization

Hybrid AF with Deep Learning AI

Benefitted by the improved processing, autofocus performance is noticeably faster and more intelligent. This hybrid focusing system uses 425 phase-detection points and is now sensitive down to -7 EV for working in truly low-light conditions. Also, backed by deep learning, an AI adaptive algorithm means this focusing system is better suited to automatically detect and track a variety of subject types. Compared to previous focusing systems, the X-H2S’s Face and Eye Detection capabilities have been refined for greater accuracy and to account for unique features, like glasses, face coverings, and hairlines. Also, the range of recognized subjects types has been expanded to include cars, planes, trains, motorcyclists, birds, horses, dogs, cats and more.

In-Body Image Stabilization

Built-in 5-axis sensor-shift image stabilization helps to minimize the appearance of camera shake by up to 7 stops. This system works in conjunction with most X Series lenses, including non-stabilized ones, and benefits working with slower shutter speeds and when shooting in difficult lighting conditions. Additionally, digital image stabilization can also be used during video recording to further aid in steadying footage, especially when recording handheld.

Body Design

Practical and Durable Design

Large OLED electronic viewfinder features a crisp 5.76m-dot resolution and a 0.8x magnification for bright, clear, and detailed eye-level viewing.
Rear 3.0″ LCD has a high 1.62m-dot resolution and a touchscreen interface for intuitive control. Also, its vari-angle design means the screen can be flipped out to the side, tilted up or down, and closed with the screen against the body for protection.
1.28″ monochrome LCD screen on the top plate is a simple means for quickly reviewing shooting settings.
Dual memory card slots include one CFexpress Type B slot and one SD UHS-II slot for file-saving flexibility. The CFexpress Type B slot should be prioritized for higher bitrate video recording and fast continuous shooting, and the SD slot is a convenient alternative for backups or less speed-critical shooting.
NP-W235 battery provides approximately 720 frames per charge when working with the EVF in Economy Mode, or approximately 580 frames in Normal Mode.

Connectivity

Full-size HDMI Type A port for outputting video to an external recorder or monitor.
USB 3.2 Gen 2 Type-C port supports tethering, data transfer, and in-camera battery charging.
3.5mm headphone and external microphone ports for greater control over audio recording.
PC sync port for flash sync.
2.5mm remote port for using wired remote controllers.
Integrated Bluetooth and Wi-Fi connectivity allows for wirelessly sharing images to a mobile device or to use the device to remotely control the camera.

Film Simulation Modes

Film Simulation modes allow you to reproduce the look and feel of several of FUJIFILM’s film types, including Provia, Velvia, Astia, Classic Chrome, Classic Neg., Nostalgic Neg., Pro Neg. Hi, Pro Neg. Standard, Eterna, Eterna Bleach Bypass, Acros, Monochrome, and Sepia. Additionally, Grain Effect can be adjusted as well as Color Chrome effect to fine-tune the look of imagery.

Sony ZV-E10 II 26MP Mirrorless Camera Body (White) ZVE10M2W

Tue, 13 May 2025 09:46:36 +0000

Vlogging Features

Optimized Camera-Design

A rear 3″ 1.04m-dot touchscreen LCD with a flip-out design allows you to easily film yourself or take selfies with ease. When recording, an integrated tally lamp creates a red border around the LCD. If you’re filming vertically for TikTok or Instagram, your LCD screen will flip to display information vertically as well.
A directional 3-capsule microphone is specifically designed for forward-directional audio recording for vlog and interview applications. A dedicated windscreen minimizes distortion when filming outdoors.
Both 3.5mm microphone and headphone ports are also featured for more advanced audio recording, and the Multi Interface Shoe also benefits audio recording capabilities. This accessory shoe supports a digital audio interface that helps to achieve lower noise during recording and also eliminates cable clutter and the need for external power when working with compatible shoe-mounted mics.

Connectivity and Live Streaming

Ports on the ZV-E10 II include a micro-HDMI video output and USB-C data output, which can facilitate video sharing to a computer or compatible mobile device. You can even live stream to social media using the USB-C data port or integrated 5 GHz WiFi. The USB-C data port also supports high-speed wired transfers to a compatible device through the Sony Creators App. RTMP, RTMPS, and SRT streaming protocols are supported as well as UVC standards, which allow you to use the camera as a webcam.

Specialized Shooting Modes

Product Showcase setting is ideal for vlogging and product review or demonstration videos and allows for quick and smooth focus transitions between a subject’s face and an object placed in front of the lens.
Background Defocus lets you immediately switch to the maximum aperture setting of the attached lens, using a custom button function, for isolating your subject using shallow depth of field and bokeh.
Focus Breathing Compensation actively corrects any visual distortion that might occur while manually or automatically toggling your camera’s focus.
Slow & Quick (S&Q) mode allows shooters to capture Full HD video at specified steps between 1-120 fps. These settings will allow you to slow down action as well as speed up a slow-moving scene.

Image Quality, Autofocus, and 4K Video

26MP APS-C Exmor R CMOS Sensor and BIONZ XR Processor

Similar to the sensor found on the FX30 or a6700 flagship, the ZV-E10 II has an APS-C-format 26MP Exmor CMOS sensor for smooth, nuanced image quality with minimal noise. A high sensitivity range of ISO 100-32000 can be further expanded to ISO 102400 for increased low-light performance. The sensor works in tandem with an upgraded BIONZ XR processor for 8x faster performance with an increased 5.6K oversampling area.

Increased Phase Detection

The ZV-E10 II has fast-hybrid 759-point phase detection and an AI processing unit for improved subject recognition. Real-time Eye AF can prioritize focusing on human or animal eyes for ensured sharpness when making portraits. When selected, this function is activated by half-pressing the shutter button, and you can further choose to prioritize either the right or left eye. Real-time tracking utilizes AI-based algorithms and automatically recognizes and tracks moving subjects. If Face/Eye Priority AF is on, this tracking method will further track a subject’s eye or face in real-time depending on the status of the moving subject.

4K Video Recording

UHD 4K video recording is possible up to 60p and uses full pixel readout with 5.6K oversampling to yield greater detail with reduced moiré and aliasing. Full HD 1080p recording is also supported in frame rates up to 120 fps, and both resolutions utilize the 600 Mb/s XAVC HS and XAVC S-I formats with 4:2:2 sampling. The camera includes S-Cinetone and S-Log 3 color, which make for better grading control and full utilization of the 14-stop dynamic range. You can also assign LUTs or use the Creative Looks mode to apply preset color effects to your footage while shooting.

Larger Battery Capacity

In order to accommodate the NP-FZ100 battery, the ZV-E10 II now has a slightly larger body design while still maintaining an overall compact form factor for portability. When using the NP-FZ100 battery, you can now record approximately 610 shots per charge for a 30% increase over the previous model. Power can also be supplied to the camera through the USB-C port or by using the optional power adapter.

Sony ZV-E10 Mirrorless Camera with 16-50mm Lens (Black) ILCZV-E10L/B

Tue, 13 May 2025 09:46:35 +0000

Perfect for vloggers, the Sony ZV-E10 pairs a large APS-C sensor and mirrorless versatility with a specialized feature-set built just for content creators. Improving upon the ubiquitous smartphone, the ZV-E10 is an Alpha camera that brings improved image quality, greater choice of lenses, and increased control to up your creativity when shooting.

Taking a concept that originated with the ZV-1, the ZV-E10 is the mirrorless continuation of this idea of a camera built around the concept of vlogging. It’s a highly capable and portable camera but incorporates a series of design choices and shooting modes that are ideal for single-person productions. A vari-angle screen lets you accurately frame up shots, the integrated directional mic is purpose-built for recording more accurate sound from front-facing subjects, and shooting modes like Background Defocus and Product Showcase help you highlight specific subjects with ease.

In terms of specs, the ZV-E10 revolves around a 24.2MP APS-C Exmor CMOS sensor, which enables UHD 4K video recording up to 30p, Full HD recording at 120p, and stills shooting up to 11 fps. Sensitivity ranges from 100-32000 for working in a variety of lighting conditions and the sensor’s design also integrates a 425-point Fast Hybrid AF system for accurate tracking and detection of subjects.

The body design is reminiscent of Sony’s other Alpha E-mount cameras and features an intuitive control layout along with the functional 3.0″ vari-angle touchscreen LCD for intuitive settings control and framing. With audio being a main concern of vlogging and creative content, the ZV-E10 focuses on this aspect of recording by including a 3-capsule directional mic into the camera design as well as incorporating both 3.5mm mic and headphone ports and having the top Multi Interface shoe support a digital audio interface for improved audio quality.

Vlogging Features

Optimized Camera Design

Rear 3.0″ 921.6k-dot touchscreen LCD features a side flip-out design that is ideal for filming yourself or taking selfies in a natural and intuitive manner.
Side-opening screen allows for a redesigned top plate, which incorporates a directional 3-capsule microphone that is specifically designed for forward-directional audio recording. Also, a dedicated wind screen for the built-in mic is included to help achieve cleaner audio when working outdoors.
Both 3.5mm microphone and headphone ports are also featured for more advanced audio recording, and the Multi Interface Shoe also benefits audio recording capabilities. This accessory shoe supports a digital audio interface that helps to achieve lower noise during recording and also eliminates cable clutter and the need for external power when working with compatible shoe-mounted mics.
Front tally lamp serves as a visual indicator for when recording is occurring. Also, the LCD can display a red border frame to further serve as an additional recording indicator.
Live streaming is possible directly from the camera simply by connecting the camera to a computer or compatible mobile device via USB, allowing the camera’s video and audio capabilities to be used for live social media and video conferencing. UVC and UAC standards are supported for improved picture and sound quality during streaming.

Specialized Shooting Modes

Product Showcase setting is ideal for vlogging and product review or demonstration videos and allows for quick and smooth focus transitions between a subject’s face and an object placed in front of the lens.
Background Defocus lets you immediately switch to the maximum aperture setting of the attached lens, using a custom button function, for isolating your subject using shallow depth of field and bokeh.
Face-Priority AE detects the subject’s face and adjusts the exposure to ensure the face is depicted in an ideal brightness, even if walking from a bright place into shade. The AE technology also suppresses abrupt changes in exposure if the subject quickly turns away from the frame to eliminate unexpected blown-out or extremely dark shots.
Refined color science helps to optimize skin tones for any subject, in both still and video modes, in order to achieve a healthy and natural look that is inclusive of different ages, genders, and ethnicity.
Soft Skin Effect can be used to soften and smooth wrinkles or blemishes on a subject’s face to create a natural, smooth complexion. The default setting is Mid and can be adjusted to Off, Low, or Hi. For longer takes, extended continuous video recording is available when setting the Auto Power OFF Temp. function to High.
Movie footage can be tagged with specific metadata to indicate vertical recording orientation for direct playback in smartphone apps or for other instances when vertical video playback is needed.
Active SteadyShot is an advanced image stabilization mode that ensures steady video while moving, even when handheld shooting while walking.

Image Quality, Autofocus, and 4K Video

24.2MP APS-C Exmor CMOS Sensor and BIONZ X Processor

A revised APS-C-format 24.2MP Exmor CMOS sensor realizes smooth, nuanced image quality with minimal noise and high sensitivity from ISO 100-32000, which can further be expanded to ISO 51200 for working in low-light conditions.
The sensor dimensions are approximately 3x larger than a 1″ sensor, and up to 10x larger than some smartphone sensors, enabling greater sensitivity, reduced noise, and improved control over depth of field.
The sensor and BIONZ X processor combination also avails a top continuous-shooting rate of 11 fps with AF and AE and permits 14-bit raw file output for a wide tonal and color scale.

425-Point Fast Hybrid AF

The sensor’s design incorporates a 425-point Fast Hybrid AF system, which blends both phase-detection and contrast-detection methods to achieve focusing performance that is fast, natural, and accurate.
The on-chip focusing system covers 84% of the sensor field and is capable of achieving focus in as little as 0.02 sec.
Real-time Eye AF can prioritize focusing on human or animal eyes for ensured sharpness when making portraits. When selected, this function is activated by half-pressing the shutter button and you can further choose to prioritize either the right or left eye.
Real-time tracking utilizes AI-based algorithms to automatically recognize and track moving subjects. If Face/Eye Priority AF is on, this tracking method will further track a subject’s eye or face in real time with seamless changing depending on the status of the moving subject.

4K Video Recording

UHD 4K video recording is possible up to 30p and uses full pixel readout with 6K oversampling to yield greater detail with reduced moiré and aliasing. Full HD 1080p recording is also supported in frame rates up to 120 fps, and both resolutions utilize the 100 Mb/s XAVC S format contained within an MP4 wrapper with 4:2:0 sampling. In addition to high-resolution internal recording, uncompressed HDMI output also enables the use of an optional external recorder for clean 4K recording with 4:2:2 sampling.
Slow & Quick (S&Q) mode allows shooters to capture Full HD video at specified steps between 1-120 fps. These settings will allow you to slow down action as well as speed up a slow-moving scene.
No recording limit for movie recording, allowing for longer takes and uninterrupted shooting of live events.
Affording extensive customizable color and gamma controls, the ZV-E10 allows users to adjust the gamma, black level, knee, color level, and more. Use the same S-Log2 Gamma Curve that is found on high-end Sony Cinema cameras, which squeezes up to 1300% more dynamic range into the video signal then traditional Rec. 709, for increased post-production flexibility. HLG (Hybrid Log-Gamma) support is also available, along with the BT.2020 color space, for recording within a wide color gamut and, in addition to S-Log2, S-Log3 is also available for producing an effective 14-stop dynamic range with increased grading control in the shadow to mid-tone regions of the image.
Interval shooting mode is ideal for creating time-lapse movies with the aid of Imaging Edge software. Intervals can be selected between 1-60 seconds for recording up to 9999 sequential free. Also, in-camera battery charging is possible via the USB port using a portable battery to benefit long interval shooting sessions.

Physical Design and Wireless Connectivity

Camera Body Design

Built for portable applications and one-handed use, the camera incorporates a large right-hand grip and intuitive physical control layout.
Grip design, along with the vari-angle LCD, also suits working from front-facing angles, such as when vlogging or taking selfies.
Integrated zoom lever surrounds the shutter button and works in conjunction with select Power Zoom lenses.
Vari-angle screen can be closed against the body, with the screen facing inward, to automatically power off the camera even when the power switch is set to ‘On’.
Dedicated Movie Record, Background Defocus, Product Showcase, and S&Q buttons provide direct access to common features used by vloggers.
Included NP-FW50 battery is rated for up to 440 shots or approximately 125 minutes of recording per charge. Power can also be supplied to the camera through the USB Type-C port or by using the optional AC-PW20AM AC adapter.

Wireless and Sharing

Built-in Bluetooth and Wi-Fi connectivity enables instant transferring of imagery to mobile devices for direct sharing online to social networking, via email, and to cloud storage sites. Once connected, the linked mobile device can also display a live view image on its screen and, using Smart Remote Control, remotely control the camera’s shutter release.
The ZV-E10 is also compatible with the Movie Edit add-on from the Imaging Edge mobile app.
Bluetooth connectivity enables connecting to the optional GP-VPT2BT Wireless Shooting Grip for efficient camera control.

E PZ 16-50mm F3.5-5.6 OSS Lens

The included E PZ 16-50mm F3.5-5.6 OSS lens is a 24-75mm-equivalent zoom characterized by its versatile range and sleek, retractable design. Helping to deliver excellent optical quality throughout the range are an extra-low dispersion element and four aspherical elements to combat various aberrations and improve contrast. The lens also incorporates Optical SteadyShot image stabilization and a power zoom mechanism, both of which will help you capture smooth and steady stills and video. Additionally, it has an internal focus design, a minimum focus distance of 9.8″, and uses a seven-blade circular aperture for smooth bokeh.

FujiFilm X-T5 40MP Mirrorless Camera Body with XF 16-80MM F4 R OIS WR Wide Angle Zoom Mirrorless Lens (Silver) 16782662

Tue, 13 May 2025 09:46:35 +0000

40MP APS-C X-Trans CMOS 5 HR BSI Sensor

Powerful Video Capabilities

External Raw Recording

425-Point Intelligent Hybrid AF System

In-Body Image Stabilization

Pixel Shift Multishot

Built for Speed

Film Simulation Modes

Enhanced Body Design

Large OLED electronic viewfinder features a crisp 3.69m-dot resolution for bright, clear, and detailed eye-level viewing. Additionally, this EVF offers 0.8x magnification for an easy-to-view image that is further enhanced by improved suppression of parallax and distortion compared to its predecessor. The 100 fps refresh rate, meanwhile, allows virtually blackout-free image making.
Large 3.0″ 1.62m-dot LCD touchscreen for intuitive operation and playback, and the tilting design greatly benefits working from high and low shooting angles.
Utilizing an NP-W235 battery, up to 680 frames can be recorded from a single charge, plus the mechanical shutter guarantees 500,000 actuations, delivering long-term accuracy and reliability.

Connectivity

Micro-HDMI port for outputting video to an external recorder or monitor.
USB 3.2 Gen 2 port supports tethering, data transfer, and in-camera battery charging.
3.5mm external microphone port for greater control over audio recording.
PC sync port for flash sync.
2.5mm remote port for using wired remote controllers.
Integrated Bluetooth and Wi-Fi connectivity allows for wirelessly sharing images to a mobile device or to use the device to remotely control the camera.

Well-suited for a wide variety of shooting situations, the FUJIFILM XF 16-80mm F4 R OIS WR is a versatile 24-120mm-equivalent zoom, spanning wide-angle to medium-telephoto, and featuring a constant F4 maximum aperture. Complementing this flexible design is an advanced optical layout, which includes a trio of aspherical elements and one ED aspherical element that help to minimize a variety of aberrations in order to produce high sharpness and clarity. A Super EBC coating also improves contrast and color neutrality by reducing flare and ghosting when working in strong lighting conditions. Also benefitting use in a variety of situations is a quick and quiet autofocus system along with a six stop-effective image stabilization system that minimizes the appearance of camera shake. Additionally, the lens is fully weather-sealed for working in inclement conditions.

Standard zoom is designed for APS-C-format Fujifilm X-mount mirrorless cameras and offers a 24-120mm equivalent focal length range.

One extra-low dispersion aspherical element is used greatly reduce color fringing and chromatic aberrations in order to produce high clarity and color fidelity throughout the zoom range.

Three aspherical elements control distortion and spherical aberrations, which helps to improve sharpness and realize more accurate rendering.

A Super EBC (Electron Beam Coating) coating has been applied to the entire surface of each element to for controlling ghosting and flare for greater contrast and color accuracy.

Quick and quiet autofocus performance benefits both stills and video applications.

An advanced Optical Image Stabilization system minimizes the appearance of camera shake by up to six stops to enable sharper imaging when working with longer focal lengths or slower shutter speeds.

Weather-sealed lens body protects against dust and moisture, and to enable worry-free use in inclement conditions and freezing temperatures as low as 14°F.

Rounded nine-blade diaphragm contributes to a pleasing out-of-focus quality to benefit the use of selective focus and shallow depth of field techniques.

Sony ZV-E10 II 26MP Mirrorless Camera Body with E PZ 16-50mm F3.5-5.6 OSS II Lens (White) ZVE10M2KW

Tue, 13 May 2025 09:46:34 +0000

Vlogging Features

Optimized Camera-Design

A rear 3″ 1.04m-dot touchscreen LCD with a flip-out design allows you to easily film yourself or take selfies with ease. When recording, an integrated tally lamp creates a red border around the LCD. If you’re filming vertically for TikTok or Instagram, your LCD screen will flip to display information vertically as well.
A directional 3-capsule microphone is specifically designed for forward-directional audio recording for vlog and interview applications. A dedicated windscreen minimizes distortion when filming outdoors.
Both 3.5mm microphone and headphone ports are also featured for more advanced audio recording, and the Multi Interface Shoe also benefits audio recording capabilities. This accessory shoe supports a digital audio interface that helps to achieve lower noise during recording and also eliminates cable clutter and the need for external power when working with compatible shoe-mounted mics.

Connectivity and Live Streaming

Specialized Shooting Modes

Product Showcase setting is ideal for vlogging and product review or demonstration videos and allows for quick and smooth focus transitions between a subject’s face and an object placed in front of the lens.
Background Defocus lets you immediately switch to the maximum aperture setting of the attached lens, using a custom button function, for isolating your subject using shallow depth of field and bokeh.
Focus Breathing Compensation actively corrects any visual distortion that might occur while manually or automatically toggling your camera’s focus.
Slow & Quick (S&Q) mode allows shooters to capture Full HD video at specified steps between 1-120 fps. These settings will allow you to slow down action as well as speed up a slow-moving scene.

Image Quality, Autofocus, and 4K Video

26MP APS-C Exmor R CMOS Sensor and BIONZ XR Processor

Increased Phase Detection

4K Video Recording

Larger Battery Capacity

Sony E PZ 16-50mm F3.5-5.6 OSS II Lens (Sony E, Black)

Designed for APS-C mirrorless camera sensors, the black E PZ 16-50mm F3.5-5.6 OSS II Lens from Sony offers a versatile full-frame equivalent zoom angle of 24-75mm within a compact design. A variable aperture of F3.5 to 5.6 helps keep the lens’s size and weight to a minimum while accommodating most use cases. When the camera is powered off, the lens retracts to just 1.25″.

Quick autofocusing and improved Optical SteadyShot image stabilization counteract handheld camera shake for sharper imagery. Four aspherical elements and one Extra-Low Dispersion element ensure high-resolution imagery throughout the zoom range. The lens supports focus pulling while shooting up to 120 fps and autofocus while zooming for intuitive single-person filming with moving subjects.

Mirrorless – National Camera Exchange

Canon EOS R5 C 45MP 8K60 RAW Recording Mirrorless Cinema Camera Body 5077C002

Common Features & Technology as the EOS R5

Video Control for the Dedicated Video Professional

Ergonomic EOS Design

CMOS Sensor and DIGIC X Processor

8K60 RAW Recording

Different File Formats and Simultaneous Recording

Internal Cooling Fan Enables Nonstop 8K60 Recording

Expanded Interface for Professional Needs

Multi-Function Shoe for Audio Recording

Multiple Power Options

13 Full-Featured Assignable Buttons

4K and 2K Oversampling

Up to 4K120 Slow and Fast Motion Recording Mode in 4:2:2 10-Bit

Simultaneous Audio Recording Enabled with HFR

Canon Log 3 Expands Expressive Possibilities

Enhanced Image Stabilization

Canon VR with RF5.2mm F2.8 L Dual Fisheye Lens Support and Workflow

Dual Pixel CMOS AF with iTR AF X

Still Imaging Features

High Still-Image Quality Featuring a 45MP Full-Frame CMOS Sensor & DIGIC X Processor.

DIGIC X Image Processor with an ISO Range of 100-51200; Expandable to 102400

High-Speed Continuous Shooting

Same Subject Detection and Tracking AF as the Canon EOS R5

Head and Eye Detection

Animal Detection

Vehicle Detection

AF Area Flexibility

AF Area Coverage of Approx. 100% x 100% for Still Images

EV -6 Low-Light Autofocus

Sony Alpha α9 II Mirrorless Digital Camera Body ILCE9M2/B

24.2 MP1 stacked Exmor RS® CMOS sensor

Up to 20fps2 with up to 60 AF/AE tracking calculations per sec.

AF/AE calculations up to 60 times/sec.

Voice Memo4

Transfer & Tagging add-on App

Real-time Tracking6 automatically tracks the subject

Real-time Eye AF (Human)

Eye AF right/left eye selection (Human)

Real-time Eye AF for animals6

5 GHz7 wireless LAN support

1 Gbps Ethernet for fast communication

Remote Camera Tool12 Ver. 2.1

FTP transfer functions

Wireless PC Remote (tethered) shooting

Blackout-free shooting8

5-axis in-body image stabilization

Anti-flicker shooting10

Silent, vibration-free anti-distortion shutter14

BIONZ X delivers Low noise at High ISO

4D Focus: Wide, fast, steadfast

Accurate AF in low light

Touch Pad focus while using the viewfinder

Touch focus and touch tracking

Selectable focus frame color

Focus area circulation

Display limit for AF area and ISO

Expand Flexible Spot

AF Tracking Sensitivity Adjustment

Autofocus in Focus Magnifier

Focus Area Registration

Switch Vertical and Horizontal AF Area

Recall Custom Setting During Hold

Improved operability while writing to memory card

14-bit RAW Format

14-bit RAW Format

3.69-million-dot, high-luminance Quad-VGA OLED Tru-Finder displays fine detail

Low-vibration high-reliability shutter

USB 3.2 Gen 1 Type-C™ connector

File transfer to Smartphone

Bluetooth remote control support

Location Information Link via Bluetooth

Save and load settings from media card

Navigate menus using the dials

My Menu

My Dial

Custom button function assignment

Efficient control during playback

Rating and protect functions facilitate on-location sorting

24.2 MP¹ stacked Exmor RS® CMOS sensor

Real-time Tracking⁶ automatically tracks the subject

Real-time Eye AF for animals⁶

5 GHz⁷ wireless LAN support

Remote Camera Tool¹² Ver. 2.1

Anti-flicker shooting¹⁰

Silent, vibration-free anti-distortion shutter¹⁴

Custom button function assignment　　　　　　　

High-performance battery extended recording time　

Two UHS-II compatible media slots　　　

Improved grip hold　　　　

Improved AF-ON button operation　　　　

Improved multi-selector operation　　　　

Full-frame 4K movies¹³

MI shoe digital audio interface¹⁵

Slow and Quick Motion¹³